Hard Conversations: Tools for Talking

My colleague Laura Whitcombe wrote for this blog last spring (The Students: What Keeps Them Going?). Laura is the AP and early college speech teacher at my high school. In this post, she and her students tackle an important speech skill that all of us can use: how to stop someone who makes an offensive remark but, at the same time, keep the conversation going.

Introduction: We have all been there. In a conversation, someone says something that is just plain wrong. We sputter. We choke. We blank out. We don’t know what to say or how to say it. Or we say blurt out something in anger. 

We know staying silent is equal to an agreement. Reacting too strongly shuts down the dialogue and puts up a barrier to any relationship in the future. 

So what do we do? 

We need to have tools to pull out and put to work when we are confronted with statements that are hurtful. Statements that are hurtful to others, our society, or to our own self-worth. 

Many of us have been taught active listening skills in a variety of situations. I learned these reactions as a means to have tough conversations when I volunteered on the suicide hotline at the Crisis Center. Police learn this as part of Verbal Judo and de-escalation techniques. Customer service centers use this on the phone lines. Business schools and leadership courses promote these skills. These are the basis of many conversations with therapists and counselors. Effective parents and lasting marriages can look to clear communication. These work because they build stronger relationships in a conflict.

What are the skills?

  1. Reflect what feelings you hear. 
  2. Paraphrase in your own words. 
  3. Ask open-ended questions.

Example:  

Reflect: You are probably nervous about writing up a lesson to share with all of your peers.

Paraphrase: Sharing your thoughts and writing can make us feel very vulnerable.

Open-ended Question: What do you think the reaction will be from your fellow teachers?

In the past, I have taught these listening skills in speech classes. We used them in skits such as a coach and player, parent and child, or teacher and student. Students write scenes where at first they are not being listened to, and conflicts escalate. Then they flip it and use these skills to show an improved relationship. 

Example

Reflect: You sound upset about not making the varsity team.

Paraphrase: After sweating through tryouts and going to camps this summer you thought you would be chosen.

Open-ended Question: What would happen if you went and talked to the coach?

Recently, we used these skills for job interviews. We want to work for employers who care about us and we can show that interest by listening to employees. Employers want an employee who can listen carefully and care about their peers and customers.

Example

Reflect: You seem to really enjoy your volunteer work.

Paraphrase: Sounds like you had to build lots of organizational skills when you helped out at the Boys and Girls Club.

Open-ended Question: What skills did you use there that you could use here at our store?

After reading So You Want to Talk About Race by Ijeoma Olua, I was inspired to look at what I can do to help students not want to run away from hard conversations. I asked myself, “How can we all dive in with care instead of reacting in anger and name-calling?” Speech class seems like a place where students would be primed to developing these communication skills. We already have a stage and are promoting student voices. Ibram X. Kendi writes in How to Be an Antiracist that “Critiquing racism is not activism. Changing minds is not activism. An activist produces power and policy change, not mental change.” To me, that means that we must do something, not just think about it. 

So this leads to using active listening skills to confront “microaggressions.” I found a list of microaggressions heard in the classroom, but next time I hope to be brave enough to ask for examples from students. If students can submit comments that they wish that they had confronted, this would be even more of a real world activity. This could be done anonymously to promote students really opening up. 

We used the “I do. We do. They do” classroom format. First a demonstration from me. The document “Microaggressions in the Classroom” by Joel Portman and Javier Ogaz includes a list of recognizable statements. I chose one that really triggers me: “We have to be careful not to invite less qualified women just to have enough female speakers. That’s not fair to the men”

Example

Reflect: “You sound worried about upsetting the men.”

Paraphrase: “So you think most women do not have the qualifications required.”

Open-Ended Question: “What would be the worst that could happen if more women were selected to present?”

Here is a good place to include “Call-In Conversations” from Seed The Way: Education for Justice and Equity’s lesson “Interrupting Bias: Calling Out vs. Calling In” lesson. Several of these “Call-In” sentences smoothly fit into active listening. 

  • I don’t find that funny. Tell me why that’s funny to you.
  • I wonder if you’ve considered the impact of your words. 
  • It sounded like you just said _______. Is that really what you meant? 
  • It sounds like you’re making some assumptions that we need to unpack a bit. 

Another statement we used to incite our responses assumed that all African-Americans come from poverty and know the “Ghetto.” “Mr. Summers! We just read about poverty among Blacks in America. Does this fit your experience and can you tell us about it?”

Students, working in groups, came up with the following reactions.

Reflect

Group 1That sounds a little bit racist.  Sounds like you are stereotyping.

Group 2 That use of “ghetto” sounds like an offensive term. That word has a stigma.

Paraphrase

Group 1What I hear you saying is that you may not be up to date. What I hear you saying is that you do not have reliable sources of information. 

Group 2What I’m hearing is that, just because of my race, you assume that I fit those stereotypes because of what you’ve seen and heard in the media. It sounds like you think I know about poverty because I am black. 

Open-Ended Question

Group 1What sources of information are you using? What do you already know about poverty among Blacks in America? Where did you get your information?

Group 2 –  What information leads you to think that way? What makes you think I have experience with the ghetto? 

Because it is fall of 2020, we are virtual and made use of Google Meet breakout rooms for groups. During the discussion, groups took the sentence starters given and made the sentences their own. The conversations as they worked from their initial reactions were rough.

At first, they wanted to call out the person, “You are racist!” “Stereotyping!” But pushing students to see themselves in a position of leadership helped them to see the importance of not shutting down the conversation. 

I kept asking, “What would happen if you said that?” A fight. An argument. Walking out. Relationship over. No chance to explain. No chance to help change the world. And they do want to change the world. They want to change their world and the bigger world, too. 

We plan to implement these skills in a Panel Discussion project as students discuss controversial issues like taking down monuments, gender discrimination, and how to tackle poverty. The last step is to have students create bookmarks or wallet cards that they can refer to as they make these tools part of their own instinctual communication language. Because these skills have to be practiced. We all need to refresh these skills to make sure that they are in the front of our minds. 

Before the class was even over, a senior student sent me this email thanking me for this lesson: “I am a minority so I experience microaggressions, and usually I am at a loss for words. But now I know how to respond to them!”

Hopefully, this lesson plants a seed. Hopefully, these students can remember these tools and make them part of their everyday lives to help fight for what they believe, but in a more civil and engaging way that will build stronger relationships instead of putting up walls.

Halfway There!

We’re halfway from the day we left for Faux Spring Break to the last school day of the year: May 15. The first thing I want to do in this post is to express my admiration for all the teachers I know.  This post is a shout-out to you in the form of a quick tour of some of the things I’ve seen during the past two weeks as I’ve visited your living rooms and kitchen tables or communicated by email, Facebook, phone, and Google Meet. And I know this isn’t the half of it. 

You’ve become technologically creative, utilizing aspects of Canvas many of us have never considered before—Discussions, for example.  Many of you have put up choice boards on Padlet, used Flipgrid for student presentations, even created Google Slideshows that capture your instruction all the way to the end—all the links are embedded; everything is in one place.

Kristin Lin, a Band teacher at MHS, for example, assigned YouTube videos to her students to teach them the language of orchestral conducting. I “sat in” on the lesson and learned that being a symphony director is a whole lot harder than it looks! Try this and see if you can do it! 

Kyle Harris, the 7th grade World History teacher at BGM, created a Padlet for his students to post art from Hudson School of Landscape Painting of the 19th Century. How beautiful is this spread?  Other teachers are using Padlet as a vehicle for organizing the students’ lessons throughout the week. Here’s MHS biology teacher Abi Bymaster’s Biology Padlet.

A teacher in the FACS national Facebook group created a choice board using  a different vehicle: Goggle Docs. MHS teachers Laura Cole and Laila Wilson added to it. Check out this impressive and comprehensive Google Doc choice board that blends practical ideas with creative opportunities. My personal favorite: Clean the Refrigerator!  

Most teachers are using Google Meet frequently and effectively, but sometimes an asynchronous meeting is better. As an alternative to Google Meet, Julie Riley uses Flipgrid with her 7th Grade English classes at WRM. Here’s a link to Honors English 7. If you have never used Flipgrid, this is a good chance to see it in action.

Some of you have created timely lessons out of this health crisis and period of confinement, engaging your students completely:

  • Dawn Grinnage, an English teacher at WMS, had her students, who are reading Anne Frank’s diary, keep journals of their own confinement. Read Sue Scott’s article about this thought-provoking project. 
  • Tasha Ploss’s Health Sciences classes at MHS are learning about pandemics and relating to an earlier read—Hot Zone
  • Jake McIntyre and Scott Royer, who teach social studies at MHS, are directing students to “current events” activities centered around Covid-19 because the subject is and will be a big part of American History. “They’ll be telling their grandchildren about this!”

There have been inspired ways of reaching out and keeping our kids connected

  • Suzi Ryan, A special ed teacher at MHS,  created a Google Meet for the kids that hang out in her room during her prep. She called it a “Virtual Coffee Break.”
  • Sarah Gustin’s entertaining Tik-Toks will be the stuff of legend when this is all over. Who knew principals knew about Tik-Tok?
  • This past weekend, the WMS team produced a YouTube video: Remote Learning, Too, that entertains and certainly lets students know their teachers are in this together with them
  • Encouraging emails from our principals have kept us motivated and made us feel appreciated.
  • Extra-curricular groups are still Meeting: Speech Team gatherings, World Food Prize, Academic Academic Super Bowl for starters.
  • At ETM, Band and Choir recruited current 5th graders using the school’s Facebook page. Here’s Andrea Bube’s YouTube for Choir. 
  • Camden Ritchie, music teacher at SMS, has been staging Ultimate Gimkit Smashdown competitions—open to the whole of SMS.
  • Sarah Gessel’s Mavericks Changing Minds (MCM) group is putting together a motivational video on 4 topics: creativity, self-care, learning, and connection. Interested in creating a 3-5 second video for the project? Contact Sarah at MHS.
  • And Mav TV is still broadcasting—if you haven’t seen last week’s episode, here it is. Watch all the way to the end and hear the inspirational message from Noah.

I’ve gleaned some tips from you that may help other teachers: 

  • If kids aren’t responding to Canvas, email them separately. Some (believe it or not) still don’t “get” Canvas; others will delete emails that come from Canvas—but not one that comes directly from you.
  • Instead of answering their questions over and over again, Jeremy Bloyd, ICE teacher at MHS, prepared a FAQ sheet to send out when the questions for the umpteenth time. It’s been working!
  • If no one shows up for your “Office Hours,” it could be that they don’t want to bother you. After all, they’re new to this themselves and may think Office Hours are sort of like doctor’s appointments. Email the students you need to see directly. Chances are, they’ll show up by direct invitation. 
  • Short on whiteboard space? Use your shower wall! Just be sure your markers will clean off afterward! (Thanks, MHS chemistry teacher Tasha Ploss!)
  • Kids having trouble with their computers: Remind them that they can make an appointment at their school with one of the unsung heroes of all this e-Learning: the tech team! A friend of mine’s daughter made an appointment with MHS’s Christina Bennett the other day. The whole transaction took place through the front desk. The students waited in the lobby for 10 minutes while Christina swapped out the battery (and carefully wiped everything down, before and after the repair).

And if our students didn’t really know it before, they know it now: We are human!  We have bad hair days. Our children “Google bomb” our Meets, wave at the screen, show off their birthday presents, and ask Mom to come see the new kittens—RIGHT NOW!  Our pets nudge the screen, scratch at the door, bark at the onscreen conversation, even knock over great-grandma’s lamp. 

I kind of like it, this informality. It gives us all something to laugh about, something not to take too seriously in this time when everything is so very serious. 

So great work, TSC Teachers!  From what I hear from administrators and families, I’m not the only one who is wowed by the efficiency with which you have learned how to navigate these waters, the grace with which you have adapted to the circumstances, and the ingenuity with which you have problem-solved. 

Have a great week! 

#Red4Ed

Forward to Finals

Just two weeks ago we were in the throes of final exams, stressed about whether we’d get all that grading done before dismissal for Winter Break, whether PowerSchool would be operating and we could get our grades in on time, whether the stress that got to our students would abate or build as they waited for the verdict on each of their classes. So I hate to bring that all back.

Nevertheless, I can’t write this post without summoning the Ghost of pre-Christmas Past. During finals week, I talked to many teachers in my building about their final exams. How they planned them, what accommodations and adjustments they made, and the creative ways they devised to assess their students’ knowledge.

In the Media Center, where my office is located, students were making round table presentations about their research into a dietary staple or a food of economic importance in a selected third-world country. “The Hunger Project” in this AP Biology class caught my attention because each student had created an Infographic to capture the essence of their investigation. Google provides templates for infographics; the students supplied the creativity.

It made me wonder what other creative delivery methods teachers were utilizing to assess their students’ learning. It didn’t take long to hear about other alternatives to standard essays, multiple choice, matching, and short answer questions. An AP History teacher uses podcasting as a tool. Instead of a traditional research paper, students create entertaining scripts in which they investigate the truth–or the fiction–behind popular historical topics. Who knew that Napoleon changed his wife’s name to a moniker he preferred? Josephine Bonaparte’s real name was Rose. But wait! There’s more! Listen to this Podcast.  And this one.

A culinary arts teacher could have elicited pretty boring paragraph answers to questions about safety and sanitation. Instead, the students put their creative minds and a sense of humor to work creating Tik Tok videos. Fun to make, fun to watch!

Dual credit speech students delivered Commencement Speeches in the auditorium; students in other speech classes made award presentations and delivered acceptance speeches. Theater Arts students wrote and performed original scripts. In a Special Education speech class, students drew topics from a hat and delivered impromptu speeches. Although I didn’t see any this semester, in other years, I’ve watched as students delivered their knowledge in the form of TEDx talks. Of course, performance is a natural when the subject is oral communication–or art or music or PE–but there are others: a portfolio of creative writing, a photography exhibit, a display of ceramic or wood art objects, or a musical rendition.

This is not to say that essays, multiple choice, and matching aren’t important or don’t have their place. Many of the teachers who devised the alternate forms of assessment I’ve just described also had written tests. But the range of formats throughout the building gave students a break from the tedium of pencil and paper and the opportunity to creatively demonstrate what they’ve learned, to work together, to learn new skills (e.g., infographics and podcasting), to show their humor and to laugh a lot (the Tik Tok videos). Refreshing.

And so was the PE exam I was invited to watch unfold. The class was Weights. When I showed up at the beginning of the exam period, I went to the wrong room. Wouldn’t you, too, think showing up to the weights room would be logical? But no. The kids were all in the gym itself–and dressed for gym class. I was puzzled, decided it must be a performance exam–but why not in the weights room? Turns out, the performance part of their exam is incorporated into the two 9 weeks grades. The students were in the gym for an old-fashioned paper and pencil test.

Unlike the 9th grade biology teacher, whose students sit cheek by jowl in an overcrowded classroom, who creates multiple versions of her exams so that no two students have all the same questions, the Weights teacher has the luxury of space. Spread out on the gym floor, armed only with a pencil–no sleeves to tuck a crib sheet in, no phones to sneak a peek at–these students, clad in their gym uniforms, sprawled on the floor and watched a video the teacher had made of former students executing the 26 lifts they had learned over the course of the semester. The present students filled in the blanks with the names of the lifts and completed a vocabulary test as well. And then what?

Something wonderful: They got to play dodge ball. They loved it! And they needed it. After a week of tests, whether paper and pencil, electronic or even performance: release!

Which is what we all felt, too, when the final bell rang.

So why am I posting this now? Why not just before that final bell? To be honest, no one would have had the time to read it before the bell rang–or the inclination to do so afterward, during Winter Break. But now that we are back in school and beginning a new semester, it’s a good time to take a look ahead to possibilities for May. Maybe this post will spark an idea that will change it up for you and your students. Even if it doesn’t, welcome to second semester!

 

 

 

Improve Their Reading While They’re Reading

You’ve set them up to read with understanding, but is there anything students can be doing while they are reading that will help them understand?  A lot of kids just seem to drift away when they start reading…

Students are taught “during reading” practices throughout elementary school. When they get to secondary school, teachers stop using the language of reading and stop reminding students to employ the practices their elementary teachers have taught them. Maybe we should take a step back. Here are several of those “during reading” practices that secondary teachers can encourage, too:

Self-monitoring: All readers need to stay on top of their understanding. Most of us do all right with stories, but when it comes to non-fiction, especially if the text is difficult, we can get lost–or drift away. One strategy that helps is to consciously summarize the text at the end of each paragraph or chunk of text. Many of us do this automatically. A teacher taught us the trick or maybe we learned it on our own.

So it is with students. If a student can’t articulate the main idea of the paragraph, then understanding is incomplete. Coach them to stop, summarize (to themselves) what they’ve just read, and then go on. That means reading will take longer. Tell them that taking longer is okay. Non-fiction, especially, is harder than fiction–words and concepts are new, not as easily assimilated as when you are reading a story.

This lack of understanding is also one of the main reasons plagiarism happens. The student doesn’t understand what he or she has read; thus, can’t summarize. What sometimes is called “laziness” or mistaken for deliberate cheating is really lack of comprehension. Have the student practice summarizing a chunk of reading aloud–as if explaining to a parent–before writing a sentence or paragraph for their research report.

Visualizing. Elementary students are taught to make a movie in their heads. If it’s fiction, they are taught to create a mental storyboard. If it’s non-fiction, they’re taught to diagram, chart, map, or create a mental table as well as storyboard the content. The very popular sketch noting, or visual notetaking, is a variation on this theme. Ask students to draw what they have read and see what happens. Some kids thrive on this way of processing information.

Relate to prior knowledge: When reading an informational piece, ask students to form hypotheses about the text (predict) rather than simply recall prior knowledge. They’ll read with the purpose, then, of discovering whether their hypotheses are correct.  Also, by NOT asking for personal experience stories (elicited by the “Have you ever…” question), their connections will be connections to real content, not just to the mention of a topic. For a really insightful description of this kind of questioning, read The Comprehension Experience. (If you’re local, borrow it from me.)

Make connections to the text as they read: This is similar to the concept of connecting to prior knowledge, but it’s about teaching students to make even more connections while they are reading than they already have. To consider how the idea they are reading is like, unlike, supports, contradicts, etc. something they’ve read, seen, heard, tasted, or experienced before. For example, any cook will tell you that when they read a recipe, they’re thinking not just about the ingredients for the recipe at hand, but how that recipe is a variation on another they know–how the addition of one certain spice and the removal of another will affect a taste they already know.

Recently, I watched a video of a teacher working with her 7th grade class on a percent problem. Before they ever learned the formula for solving the problem, the teacher asked the students to consider how this problem was like other percent problems they’d encountered and how it was different. Later, the students went on to solve the problem, of course, but first they considered “same” and “different” and that helped them make sense of the new problem.

Use text structures to help them understand: In fiction, text structure means the story arc. Students learn this structure from the cradle (if their parents read to them).  As humans, we’re “hard-wired” for story anyway. That means we try instinctively to make a story out of information we receive.

Except for chronological order (which is, of course, related to “story”), the structures of non-fiction aren’t so readily apparent: cause/effect, problem/solution, analysis, order of importance, comparison/contrast. Help students learn the markers for these structures so they can get a mental outline of the text before they start reading. For example, you can augment understanding by simply saying something like this: “In this article, the author discusses two different interpretations of this historical event and gives his opinion on those interpretations.” By outlining the article for the students, you’ve boosted their comprehension of it from the get-go. Probst and Beers eludidate non-fiction structures in their second Notice and Note book, Reading Non-fiction. (You can borrow this one from me, too.)

Question themselves: Do I understand? What can I do if I don’t? Where did I stop understanding? Should I go back? Should I slow down?  (The answer is “yes.”)

When a text is difficult because the content is new, or we’re tired, or too much is going on externally, all of us stop paying attention when we read. This can happen with fiction and non-fiction. Students have been trained to be conscious of having lost the thread. Most know to go back to the place where they last remember understanding and start over at that spot. As secondary teachers, we can remind them of that strategy for recovery.

Be conscious of skimming patterns: What students are liable to do when they first start drifting is to skim; that is, to puddle-jump across the lines of text, one line at a time. Skimming is a perfectly fine way to take in information when all you want is the gist or if it’s the first time through a piece of difficult text.  But all too often, this “academic” skimming turns into Z and F.

Z and F skimming styles are unconscious but entirely natural patterns of eye movement that web designers capitalize upon to ease our intake of social media and website content. Because so many of our students spend so much time on social media, these skimming patterns may have become second nature to them.

The layout of a social media page like Facebook, Instagram or Twitter is an F pattern. Google searches come back in an F pattern. Websites, especially places you want to order merchandise from, are set up to read in a Z. Neither of these skimming patterns is efficient for academic articles or for textbooks, whether print or electronic.

The task for us is to alert students to Z and F so they can monitor their skimming behavior and adjust to the kind of skimming that’s appropriate for academic texts and textbooks, whether in print or electronic: puddle-jumping.

 Reading comprehension is an amorphous, abstract thing. Our ability to understand what we read doesn’t grow in a linear fashion or at a measured pace. It’s hard to pin down–no different than holding on to a cloud. What we do know is this: The more we read, the more we understand; the more we understand, the more we bring to the next text we read. Learning how to help yourself understand what you read doesn’t end after elementary school, and there’s a lot we secondary teachers can do to boost our students’ understanding.

Reading Comprehension: Set Them Up to Understand

I’ve been immersed in the world of reading comprehension and strategies for teaching reading for quite a while now. My last post was about reading e-texts successfully, but for the next several weeks I am going to back up and write about reading comprehension itself, especially as it applies to secondary students and teachers. The next several posts are specifically for classroom teachers of all subject areas, but if you’re a parent reading this, the concepts and strategies I outline constitute a significant part of the reading comprehension instruction in an American classroom.

Did this ever happen to you? Your college professor told you to read a huge chunk of text by, say, Wednesday and come to class prepared to discuss what you read.  Because the topic was new to you, it was sometimes hard to figure out what to focus on. You got to class and found out you’d paid attention to things the professor didn’t think were important at all. High school and middle school students have problems like this, too. 

We teachers can set our secondary students up for success in the same ways elementary teachers do.  First of all, we can “preview” what’s important. Here are some ways to do that: 

New words: Think about the important vocabulary that the students will encounter in the reading you’ve assigned. If the words are technical, and they’ll be encountering them for the first time, you can increase their comprehension by explaining those words before they read the text.  For example. You might say, 

“When you read tonight, you’re going to come across these three words: ________, _______, and ________.  They’re really important to understand, so here’s what they mean.“

And then explain. 

When the student encounters these words in the text that night, it will be for the second time, not the first, and they’ll already have a little bit of “prior knowledge.” That will help them make sense of the new term in context. 

Create a Trailer: Alert students to a key scene in a story or a concept in non-fiction so they’ll know when they get there that this matter is important.  Naturally, you don’t want to spoil the suspense or give away so much they won’t read the chapter, but you might say something like “In tonight’s reading, Juliet is going to fake obeying her father. Pay attention to what he does next. It will be important to the rest of the story.”  

You can go farther than hinting at a significant scene and even dramatize an upcoming chapter. You still don’t give the ending away, though. The point of a trailer is to build suspense, not satisfy curiosity.

If it’s non-fiction and the students will be reading about a new concept–say a principle in biology–explain the basic concept first. When they read the details, they’ll already have the main idea and will be filling in the blanks.  

Refresh and Move Forward: Take a minute to summarize the previous day’s reading. That quick summary creates the flow that’s so necessary when you’re working with information that moves from one point to the next. 

Set a purpose: Explain to the students why they are reading something. Understanding skyrockets when students know the purpose and what they are going to be doing with the information. Here’s part of why: The reading method they–or I–employ usually matches the purpose for reading.

  • If I am reading for basic information, I may skim the selection.
  • If I am reading to understand an argument, I’ll read the selection carefully.
  • If I am reading for specific terms that I’ll be expected to remember, I’ll scan.
  • If I am reading to add to prior knowledge, I will make the connections as I read.
  • If I am reading for amusement, I’ll probably read in a comfy chair.

Make an explicit homework assignment: This is related to the purpose. If it’s basic information you’re after, supply a graphic organizer or a guided reading sheet or even a set of questions to direct the reading. Let students know they’ll be quizzed on the material (if they will). Let them know if you intend to go over the information or if you plan to take off from there on the assumption that they understand all the basics. If you’re not going over the reading, but they’re expected to understand it, they’ll read more carefully if they know that ahead of time. 

Even if you do intend to discuss the reading in class, without a task to complete–like filling in a graphic organizer–many students will skim the text, not read with attention. Here are some other ideas for explicit homework assignments.  Notice how differently a student would read a text for each of these assignments.

  • Select what you think is the writer’s strongest argument and explain why.
  • As you read, think of another story (or character, or situation, etc.)  that is like this and explain how they are alike.
  • Keep a timeline of significant events.
  • Copy 5 figures of speech the author uses in these ten pages and name the figure of speech.
  • Write down what you thought was the most surprising part of the story so we can take a class poll and discuss why these parts were surprising.

Make sure they know how to use the tools they have in their hands: Many secondary students still have trouble understanding the function(s) of the parts of their textbooks. They may never have been shown the index, for example, so they don’t know what it’s for. 

Here are the usual parts and common text features of textbooks:

  • title page
  • diagrams
  • sidebars
  • table of contents
  • labels
  • highlighted text
  • headings
  • illustrations
  • italics
  • photographs
  • graphs
  • bold print
  • tables
  • captions
  • color coding
  • charts
  • bulleted lists
  • bolded words

Secondary students generally have the most trouble understanding the difference between the Table of Contents and the Index. If they’ve never used the Table of Contents or the Index in their texts, they will not use these two tools well in a reference book that is NOT a textbook. In fact, they have to be explicitly shown how to use these two aides to understanding. So, if you are sending them off to research something, be sure to remind them that the Index will help them find a specific topic and the Table of Contents will reveal the organization of the book and the main ideas.

When a science teacher (for example) says “Read pages x to y,” many students think “read” means reading like a novel in English class. If you teach a subject that relies on charts, maps, diagrams, tables, and illustrations to deliver information, be sure to tell your students that valuable information is packed into these study tools and that they should pay attention to these parts of the text, too. Once again, the students have to be explicitly shown. 

Finally, obvious as it is to us, many students think the color coding, fonts, and different font sizes in a text are artistic flourishes. Even the text features like these are deliberate keys to understanding. Make sure your students are aware of these text features. 

All of these “before reading” strategies have been taught to students by their elementary teachers, but secondary teachers can learn from them: A little pre-reading instruction goes a long way toward understanding what you read.

 

It’s Not About the Lure

ELECTROFishing

  • Aquarium net
  • Transparent plastic containers
  • Plastic buckets
  • Golf balls
  • Magnifying glass
  • Ice cube tray
  • Parametric software
  • 3-D printers

and

  • Students in Honors 9 Biology, AP Biology, and Principles of Engineering

Put them all together and what do you get?

Fishing lures!

Except, it wasn’t about the lures.

Teacher Zach McKeever supervises as students float golf balls in tin foil boats to understand buoyancy

Teams of students from these three classes at McCutcheon High School joined forces to learn about the fish that swim in Wea Creek, the insects that attract them, and the design process engineers use to create any new product. The standards addressed by this bioengineering module pulled from biology, physics, math, technology literacy, and environmental systems. The students spent time at the creek in waders, capturing and identifying fish through electrofishing techniques guest instructors from Purdue University showed them. They identified aquatic insects–also caught in the creek that runs behind our school–and preserved them in transparent containers to learn about biomimicry. Using a decision matrix to guide their design choices, the student teams created fishing lures that looked and moved like the insects they’d observed. They floated golf balls in tin foil “boats” and used their math skills to determine the buoyancy of their designs. Ultimately, the students used Inventor, a parametric modeling software program, to visualize a prototype. The most promising prototypes were printed using a 3-D printer.

20180911_121840When they weren’t outdoors, the teams met together in the Media Center where large round tables and lots of space facilitated consultation and collaboration. The four teachers, whose schedules had been specifically arranged to accommodate this project-based learning endeavor, floated among the groups. The large space also improved the efficiency of the project. “It was much easier to walk between tables to answer a question than to send an email from one classroom to another,” commented engineering teacher Zach McKeever.

Finally, each team made a PowerPoint presentation of their experience, including a reflection on their performance in terms of communication, creativity, collaboration, critical thinking, and computational thinking. An expert angler was present for some of the final presentations and inspected the lures close-up. The students listened intently to his critiques.  One group was surprised when he told them, “You could market this if you’d make just this one little change.” 

And then, on a warmish October Saturday, they tried out their lures. Total catch: a few nibbles.

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But that’s all right. It wasn’t about the lure.

In their wrap-up discussion, students (predictably) commented that they liked going outside and enjoyed the fishing expedition at the end. They wished they’d spent more time at the creek! They appreciated the hands-on learning and real-world application of their learning. They enjoyed the guest lecturers from Purdue who opened their eyes not only to a new way of fishing, but to the presence of specific species of fish as an indication of water cleanliness, to the connection between bioindicators and our own drinking water, and to watershed ecosystems in general.

Students test their hypotheses about the number of golf balls their vessels will hold as teacher Amanda Cox looks on

Some students did say they prefer a more traditional approach to learning: They wanted textbook learning first, then the application. However, the majority of students said they liked putting the pieces together even though they experienced some anxiety at first when they weren’t sure what was going to happen, how they would get from the assignment “Create a Lure” to the final product without the familiar front-loaded vocabulary lessons, textbook assignments, and the quizzes and tests that usually accompany traditional classroom instruction.

Other students had suggestions for their teachers for improving the unit’s design. The project had been set up to differentiate for experience (Honors 9 Bio and AP Bio) and course credit (Engineering vs. Biology). The AP Bio students, for instance, experienced the electrofishing and were responsible for conveying that information to the rest of their team. The engineering students used Inventor–and explained it to the others. The Honors 9 students did the insect study and relayed what they learned to the rest of their team. That structure led to some problems of communication, so the students suggested ways to ensure better communication and more accountability for each team member. 

Many students commented at length on the communication and collaboration skills they had needed to develop in order to be successful. Some teams reported, quite frankly, that they hadn’t started out working together well–but they overcame those obstacles because they had to. That admission–and the ultimate resolution of the problem–brought smiles to the faces of the teachers because, of course, learning to work together as a team was one of their goals. 

The principles of design apply across the board and collaborative problem-solving among individuals with different areas of expertise and different perspectives will always be the case. For example, Mr. McKeever explained, civil engineers may be commissioned to create a dam. That will certainly disrupt the ecology of a river, so the goal will be to design a structure that minimizes impact but still does the job of holding back the water. Chemical engineers may develop vaccines and the packing materials for those medications. They’ll need to take the impact of chemical emissions, waste, and the product itself into account as they develop the product.

“The biggest takeaway for me,” Mr. McKeever continued, “was the relevancy. The biology part helped the students create lures for a specific fish in a specific environment, making the whole project much more authentic. Without the biology component, the assignment would have been ‘Design a lure you think will catch a fish’.”  Not nearly so relevant and not nearly as challenging. 

For students who have never experienced project-based learning, the first venture into this way of learning can be intimidating.  But in the end, biology teacher Abi Bymaster asserts, “This project forced students to feel uncomfortable, to ‘not know the answer,’ and they couldn’t just look the answers up on Google. However, it is because of this discomfort that they learn; this is what I love about PBL.”

“Learning ‘this way’ made the learning real,” many biology students said in summary. They liked the independence, the taking charge of their own learning, the creativity expected and allowed. The students clearly saw that while the biomimicry and the buoyancy achieved by the unique anatomy of fish were concepts important to understanding predator/prey relationships, understanding the whole ecological system–and the ability to generalize that to other systems–was the greater lesson. 

Teacher Mike McKee watches as his student tries out a lure

No one misunderstood the real learning goals of this endeavor. It wasn’t about the fishing lures. It was about the interdisciplinary nature of learning and the teamwork needed to pull a project together, hallmarks of project-based learning: authentic experiences that reflect real-life problem-solving and decision-making.

This project-based learning experience has a formal name: Designing Bugs and Innovative Technology (D-Bait). It is one unit in the TRAILS curriculum designed by Jeffrey Holland, Todd R. Kelley, Euisuk Sung, and Nathaniel W. Cool at Purdue University and supported with funding from a National Science Foundation grant. The project was new this year to two of the four collaborating McCutcheon teachers, all of whom were trained during previous summers. All four of the high school teachers are looking forward to doing the project again next year–and implementing lesson design modifications suggested by their students, the bioengineers.

 

 

 

 

Starting Over in January

You made it!  New teacher or veteran, you survived the First Day, the First Week,  Open House, Parent Conferences, the First Grading Period, and Final Exams.

And soon, here we will be again, at the start of a new semester.

I hope you will spend a little time, in the midst of the celebration and the holidays, to reflect on the first semester. What went well, what you plan to dump, what you’re going to change up a bit.

Here are, the way I see it, the four specific areas of teaching that every educator strives to master:

  • Organization  (How you’ve set up your classroom)
  • Classroom Management (How you approach discipline)
  • Instruction (How you fill those 50 minutes)
  • The Soft Side (How you relate to the kids)

All four of these categories are crucial to success.  You may like the way you are doing things now, but the best teachers always ask “Is there a better way?”

Organization

Seating arrangements. If you want more discussion, change the seats so the students face each other. Talking to the backs of heads doesn’t promote dialogue.  On the other hand, if things have gotten too social, maybe you need rows.  Here’s a great (free) web tool for redoing the room arrangements:  http://classroom.4teachers.org/  Click on “Classroom Architect.”

Absent Work. When kids are absent, do they drive you crazy asking what they missed?  Do you forget where you’ve put the handouts from the day they were gone?  Consider establishing a place in the room especially dedicated to helping absent students find what they’re responsible for.  Here is one example of a “While You Were Away” spot in a classroom I’ve visited.  

Posting Objectives, Agendas, and Homework.  How many times do kids say, “What are we doing today?”  “What’s the homework?”  “Why are we doing this?”  These questions, too, can drive you crazy.  Another dedicated wall space can solve the problem.  Here’s another sample board from a high school classroom. 

Classroom Management

Procedures. When we greet students the first day with a long list of rules and punishments, some kids just naturally seem to want to buck the system.  If you have been having “discipline problems” and want fewer challenges, try developing procedures instead of rules.

Best book about procedures: Harry and Rosemary Wong: The First Days of School. In this, their first book, they explain in depth their strategy for teaching procedures: Teach/Rehearse/Practice.

Teach your students procedures. As the Wongs explain, procedures are positive. They’re easy to follow.  They help us all know what to do in a given situation: How to install an app on our phones. How to buy a gift from Amazon. How to report an absence.  Everything is a procedure, really.  In the classroom, too, it’s all procedure: How to pass in papers. How to exit for a fire alarm. How to get out your computer.  Same with these things:  What to do when you’re late to class.  What to do when you’re finished with your work.  What to do when your pencil breaks.  Decide on the procedures you want to make routine in your classroom and then teach them to your students.

Rehearse the procedures. On the first day of the new semester, explain to students what you expect and show them how to do whatever it is.  It’s worth spending a few minutes rehearsing what to do in any of these situations because, after that, when someone doesn’t follow the procedure, you just remind them: “This is the procedure I expect you to follow.”  

Practice the procedures again if you have to…or periodically throughout the semester.  And be patient.  You can last longer than they can.  Eventually, they’ll get the message.  Well, 99% will.  And then there are steps you can follow for that pesky 1%.

Instruction

Write objectives: Robert Marzano published this great book: Classroom Instruction That Works. In it, he described the 9 instructional strategies that bring the most bang for the buck in terms of student learning. One of those 9 is setting objectives.

John Hattie published Visible Learning for Teachers. It’s a meta-analysis of the effectiveness of a ton of teaching strategies and conditions.  Guess what? Setting objectives is one of the most effective moves you can make.  Hattie calls it “Teacher Clarity.”

Post your objectives.  It’s not enough to have objectives. You have to communicate them to your students, too.  Make them visible. Refer to them at the beginning of instruction, during instruction, and at the end of the lesson.  

Objectives vs. Agenda.  Your objective is not the same thing as your agenda. You do a lot of things in the course of 50 minutes, but the objective relates to the instructional piece:  What you want the students to know or do.  Take a look at this board from a classroom. The teacher has separated the agenda for the day from the objective of the day. This one isn’t fancy, but what students need to know couldn’t be clearer. 

Instruction includes strategies and activities–what you will do, what you will have the students do, to deliver on the objectives.  This is such a huge topic that I am going to leave it at this for now. But, search my blog and sites online for specific strategies you’d like to try or ones you’d like to refine. 

The Soft Side

They have to know you care.

Funny thing is, it doesn’t take much for the student to realize you do.  Here’s what they say:

  • My teacher greets me at the door.
  • My teacher remembers what activities (sports, drama, speech, etc.) I’m in—or where I work—and asks me about it.
  • If I’m absent, my teacher asks me if I feel better.
  • My teacher sends positive notes home.
  • My teacher attends school events.
  • My teacher keeps the grade book up to date so I know where I stand.
  • My teacher walks around the room and helps us.
  • My teacher smiles at me.

“Caring” to a student is recognizing that he or she is an individual.

So, because this is the gift-giving season, take some time over the holidays–while there still is a little time–to reflect on the gifts you can give as a teacher.  Deliver them in January:

  • A well-organized classroom
  • A management plan that emphasizes the positive
  • A learning plan that kids can understand
  • An approach that says “I care”

And Welcome Back!!

Thinking Made Visible

Used to be, when students would stare off into space, we wouldn’t know what they were thinking about. Now, with all the screens in front of their faces—and ours—we at least know the topic of their attention.

But what are they actually thinking? How can we get inside their heads to discern their thought process? If they’re on the mark, terrific!  But if they’re stuck, how can we know?

My colleague used these cool, washable markers and the tables in her science lab to do just that: Get inside her students’ heads.

 

We were co-teaching a lesson in AP Biology about food insecurity in Afghanistan—the primary and secondary causes and the various effects interruptions in growing and marketing food have on the health and well-being of the people in that war-torn country.  It’s a complex topic with complicated connections.

So after we set the stage by introducing new vocabulary, after we had shown a short film about microcredit and talked about food aid from foreign donors, after we’d discussed the topic as a group, we distributed a paper for students to read and a guided reading activity to accompany it. The weekend homework was for students to read the paper, which proposed some solutions to the problem, and think through the questions on the guided reading sheet.

Sure enough. Come Monday, several students hadn’t read the paper. Even more tripped up on the questions because what was called for weren’t easy, fill-in-the-blank, seek-and-find responses. The students had to think about what they had read and make connections. It was a tough assignment. The reading itself was daunting.

But what my colleague did next was not to berate the students or express exasperation. Instead, she put them in groups and asked them to draw the connections, as they understood them, between the causes and effects of food insecurity–right on her lab tables.

As the students sketched out the author’s ideas, my colleague and I were able to move from table to table and with a glance, see where thinking had gone awry, where gaps in understanding occurred. When we’d point out the exact place where the students had not understood, we could sometimes hear sucked-in breaths or audible exclamations. “Oh! I get it now!”

For us, this exercise was thinking made visible. Because of it, we could lead students to a better understanding of what had previously been confusing or even mystifying.

I began to think about where else thinking is visible and what kinds of opportunities teachers construct to make that happen. After all, a check for understanding isn’t meant to be a check for recall. It isn’t just about getting the right answer. A check for understanding is supposed to clue teachers in as to what our students actually have comprehended or taken away from a lesson.

In math class, teachers ask students to “show their work.”  That’s how the teacher can tell if the answer was a lucky guess or the product of a thoughtful approach to the problem.  If the teacher can see the steps the student took to arrive at the solution, the exact point of un-understanding is visible—just as in the table talk my colleague and I conducted with her students.  In fact, math teachers look at “showing your work” as a road map. The point where thinking breaks down is the precise place to apply the red pen—not just on the answer itself. Or, as the teacher in this video does, apply the yellow highlighter.

Geometry offers the same potential for revelation of thought.  Proofs are mental processes revealed. In evaluating a proof, the teacher has to follow, step by step, the student’s logic. That makes checking proofs time-consuming—just as, when reading students’ essays, the English teacher has to follow the student’s train of thought in order to make actionable comments.  But from heavy duty assignments like proofs and essays, teachers learn precisely what students don’t understand—or do, as the case may be.

Old-fashioned sentence outlines are also great revealers. Students prefer the bullet points of a topic outline, of course, because they can bluff their way through an outline check or turn in something when they haven’t really started thinking about their topic. But when ideas aren’t connected with transition words and complete sentences aren’t available for examination, the teacher can’t really follow the student’s train of thought. When a sentence outline has gaps and misunderstandings, the teacher can direct next steps.

One of my favorite lessons when I taught composition was an exercise in understanding how sentence outlines work. I’d find or construct a fairly complicated sentence outline of a research topic, cut the sentences into strips, remove the numbers and letters, and assemble sets of these sentences, all jumbled up.  Students would form groups, and I’d hand each group a set of the sentences. They’d spend the rest of the period figuring out the outline based on logic and the clues provided by transition words. Then, of course, I’d require them to construct their own sentence outlines.  

And when I really cast my thoughts far back into the recesses of my life in an American classroom, I remember sentence diagramming. I’m not advocating for bringing that back necessarily, but I do have to say, faulty diagrams revealed exactly what students didn’t understand about sentence structure.

Whenever a performance is required, whenever students do something, we see thought in action: Their level or degree of understanding is immediately evident in the performance of a musical piece, the execution of an art project, the preparation of a recipe, the construction of a garment, the reassembly of an automobile system. The problem is, when what we seek to understand is a mental process, it’s not so readily visible. Sketch notes help. Graphic organizers and graphic summaries help. Models and puzzles and other manipulatives do the trick.

But what else? Send me your pictures and tell me about the activities and processes you employ to make thinking visible.  I’d like to put together a gallery of thought-tracking possibilities.

And if you purchase some of those neon markers?  Be sure to get some Windex and a roll of paper towels, too. You’ll need them!  This activity is addictive!

Power Lesson

Hydroelectricity? Sixth grade? English class?

Yes, indeed. In fact, before the day I observed her 6th grade class, my colleague, Melanie Quinlisk, had guided her students through the process of writing an argumentative paper about that very topic: Hydroelectricity.

Students had researched the subject and lined up their arguments, pro and con. They’d even learned how to acknowledge a counterclaim, some to concede a point.

The day I came to class, my colleague introduced thirty cardboard Virtual Reality Viewers encased in cellophane.  On cue, students took out their phones and accessed a 360 degree YouTube video produced by Hydro-Quebec.  Ms. Quinlisk showed them how to assemble the viewers and insert their phones into the cardboard holder.  A strap held the viewers tight. Once the video began, the students were oblivious to the world around them. They were mesmerized by the virtual tour of an enormous hydro-electricity generating station in the James Bay region of Quebec (Welcome to Hydro-Quebec).

For most students, this was the first look at a 360 degree video; a few experienced ones had brought their own viewers from home.  I was there to be hands-on support, to help students access the video on their phones, secure them in the viewer, and adjust the straps.  Naturally, there was a good deal of fumbling with the mechanism of the box, and the classroom was abuzz with excitement. The students’ reactions and exclamations were punctuated by the sound of Velcro fasteners and crinkling cellophane.

“Wow! That’s cool!”

“I didn’t think it would be so big!”

“So that’s what it looks like!”

But within seven minutes, it was all over, the boxes tucked away and the students focused on their teacher’s question: “Was your opinion changed by seeing the video?  Why or why not?”

It was the “Why or why not,” of course, that she wanted to hear. And students replied using the evidence they’d researched before—quotes from authorities, statistics, facts, even the counterclaims they’d heard.

“The video explains the cost-saving,” one boy said, “but hydroelectricity is still hard on wildlife.”

Clearly his priority was wildlife, not economics.

Priorities is where this remarkable lesson went next. Ms. Quinlisk distributed a handout that listed the amount of wattage various household appliances, large and small, consume per kilowatt hour. The students’ task was to select the appliances they’d choose to use if they could use only 1000 watts a day.

One boy went right to the heart of supply and demand and family dynamics: “Is this what it’s like to be a parent?” he asked.

The students’ priorities were cell phone chargers, TV, and air conditioning, though some were creative:

“I’d get three fans instead of air conditioning!”

“I’ll get a leaf blower instead of air conditioning.”

“Skip the stove. I’ll live on Cheetos and Cheese Whiz!”

One girl did say it might be good not to have access to so much wattage. “We might go outside more. It might be like camping.”

The students pondered their choices, added up their wattage, prioritized, made decisions, and practiced a bit of creative thinking. And then they were asked to take the worksheet home and talk with their parents, to see if their parents’ priorities were the same.  The students knew right away they wouldn’t be.

And all of this was prelude to reading City of Ember, the first book in a science fiction series by Jeanne DuPrau, a story about two young people frantically trying to save their crumbling subterranean city, powered for over two-hundred years by a hydroelectricity plant that is now breaking down.

Pretty high wattage interdisciplinary learning: math, science, argumentation, critical thinking, technology, collaboration, decision making, and reading— both fiction and non-fiction.

Electrifying, in fact.

Writing Like a Scientist

The first year, we just put a toe in the water: We addressed the use of the passive voice.

The next year, we took on pronouns.

This year, my colleague and I dove in head first: We tackled passive voice, pronoun usage, scientific description, conciseness, the particular vocabulary of science, and (of course) citations and internal documentation. The goal: improved Science Fair projects–and ones that read like science writing.

An instructional coach for secondary teachers, I was thrilled three years ago when Mrs. Amanda Cox approached me about her goal for the year: incorporating the Indiana Academic Standards for Literacy into her Honors biology classes. Mrs. Cox took the standards to heart.  “I want my students to write like scientists,” she told me, “but they don’t know how–and I’m not sure I know how to teach them. I’m not an English teacher.”

She’s not alone. The literacy standards–which apply across the curriculum–challenge many content area teachers.  Writing instruction begins in grade school, but the skills that are emphasized are the ones in the English teacher’s toolbox: introductions that capture the reader’s attention, strong action verbs, colorful vocabulary choices, rhetorical questions, apt quotations.

English teachers don’t focus on the language of science. We want variety in sentence length and structure to sustain interest in the content, and we aim for metaphor, simile, and other figures of speech for the same reason. The passive voice gives us the heebie-jeebies.

If you’re a content area teacher, it is easy enough to require writing, but requiring something means teaching it–or knowing for sure that it has been taught–and then grading it. Where is the professional development in reading and writing for content area teachers?  It came, delightfully and productively for my colleague and me, in the form of co-teaching.

We began with the passive voice, one of the most distinctive features of science writing–and a requirement for the Science Fair project.  In science, it’s the discovery that is important; the role of the specific scientist is downplayed. So, in a  traditional write-up of a scientific investigation, the scientist is missing from his or her report. Instead of saying “I discovered X,” a researcher would write, “X was discovered.” Mrs. Cox’s 9th grade students had never even heard of passive voice.

A grammar lesson was necessary, and I was happy to prepare and deliver it. An English teacher by training, I was in my element. Even more fun, I was in front of students again. I had a chance to refresh my classroom skills.

With practice, Mrs. Cox’s students learned to write sentences in the passive voice. Their lab reports began to sound a little more scientific. But a quantitative payoff wasn’t there. The average grade on the Science Fair projects that year was the same as the year before: 76%.

So the next year we tackled pronoun usage. Again, in science writing, pronouns are scarce. When one is used, its antecedent is unmistakable.  So another grammar lesson was in order: What’s a pronoun? What’s an antecedent? Why do they have to agree? And what’s agreement anyway?  

Every English teacher in the country knows how pesky pronouns can be and how tough it is for kids to master them. Drill and kill doesn’t much work as a strategy for learning. A teacher can spray red ink on a paper like Roundup on weeds and still the pronoun errors sprout again in the next paper.

Mrs. Cox and I decided on an old-fashioned revision method: We projected sentences onto the whiteboard that we had drawn from the students’ own lab reports and, working together as a class, corrected them. That process worked well.  In correcting the pronoun errors, of course, we uncovered other problems and eliminated those, too: problems of conciseness and specificity, problems of vocabulary and redundancy.

For example:

  • New information is important because it can change the way you view other information.

became New information changes the way other information is viewed.

  • We couldn’t figure it out but as we received new information and hints, we got closer and eventually we got it.

became Understanding developed gradually.

  • New information and scientific processes are important because they help further our understanding and develop our research.

became Scientific inquiry yields new understandings that, in turn, inform further research.

By the end of that second year, students were more sensitive to language and could quickly spot a sentence written in the active voice and change it into the passive.  But still, the overall scores on the Science Fair projects didn’t budge.  Seventy-six percent remained the average.

By the third year, we decided that we needed to take a much more robust co-teaching approach. Mrs. Cox selected a scientific paper for students to read and dissect and I prepared a lesson that engaged the students in teasing out the fundamental differences between writing for English class and writing like a scientist. Those differences included using the passive voice, and redefining description to mean facts and processes, not “colorful” language.  In English class, students reach for strong verbs, vivid adjectives, figurative language, and even auditory devices like assonance and onomatopoeia. None of that obtains in a journal article for science.

In addition, I taught the students how to document their sources using MLA format, 8th edition. (Yes, they could have used APA, but our teachers have made the decision to use MLA from middle school through early high school in order to be consistent.  Once students have the documentation process down, transferring to APA or any other system will be easy.)

I was in Mrs. Cox’s classroom often enough this year that I learned the students’ names. By October, I felt like a teacher, not a coach. I even helped with drafts and with grading the final projects—that surely made me feel like a teacher!

And the results: This year the average score jumped to 80.5%.  The students garnered top scores at the regional science fair. One young man, who won gold at the regional competition,  qualified for the state science fair and won the Stockholm Award–an honor that brings with it the chance to win a trip to Sweden and participate in a competition there.

Co-teaching the Science Fair project has been fulfilling for both of us—for me, this kind of coaching—where the emphasis is on student learning, in this case through co-teaching, provided sound and appropriate professional development for me, the instructional coach, and for my colleague, the 9th grade Honors Biology teacher.

We both learned new skills.

Mrs. Cox can teach these English lessons now herself (although we do have one more tweak we want to make next year), but the co-teaching idea has spread. Next year I’ll be working with an 8th grade science teacher and a 12th grade Anatomy and Physiology teacher with the very same goal in mind: improving the quality of science writing and thereby augmenting student learning.

And this time, those teachers and I will dive into the deep end right from the start.