Thys Boke is Myne

Thys Boke is Myne Prince Henry: An inscription in a copy of Cicero, belonging to Henry VIII when he was a boy.*

What is it that makes us write our names in our books, amass collections of books, enthusiastically lend our books to friends (but keep a record so we can call them back)? When we do cull our collections and take stacks to used book dealers, why do we cross out our names or obliterate them with labels? If someone has inscribed a book for us—a gift—we hesitate to let it go, and if we have books passed down from our parents, our grandparents, their parents before them, well, these simply cannot be discarded.

Maybe I shouldn’t be using first person plural here. Maybe the problem is unique to me. But I don’t think so. I’ve seen too many crossed out names in books I’ve picked up in second hand stores.

Whatever else Henry VIII the adult was, he read widely as a child and even became a writer himself. I like to think that the impulse to write his name in his Latin book—to assert his ownership—was not just proprietary in the way he acquired weapons and wives, but that it sprang from the same impulse I respond to when I write my name in a book. When I say I own a book, it is not just the physical entity that I mean belongs to me. I am saying that the contents have become a part of me, have shaped my identity, and have influenced my thought. When someone I don’t know well looks at my personal library—whether at school or at home—I feel just a little bit invaded, like that person has a window into my mind, has gotten a glimpse of my soul.

Understanding this explains why, at a used book sale, I buy copies of books I already own—it’s as if I’m retrieving a lost part of myself. Thys boke is myne! Not the library’s, not Earl Avenue Books’, not Buy the Book’s. Myne!

For some years now, I’ve been collecting the books I read as a preschooler or during early elementary school years, repossessing myself, so to speak. I know these books not by title, but by their images. I’ve instantly recognized Me, Too (a fluffy yellow duck) and The Little Small Red Hen, both found resting unceremoniously in antique dealers’ cubbies. I have no trouble recognizing the Dick and Jane readers, primers peopled by those ever-ebullient, always co-operative, never unpleasant—but sadly, monosyllabic—children, Dick and Jane, and their little sister, Sally, whom I loved best because she had my name. And their pets: Spot and Puff.

On summer afternoons in upper elementary school, my best friend Anne and I were allowed to go downtown to the public library where, once we had exhausted the children’s collection, which was located in the basement, we moved to the junior high shelves, also in the basement. There, I discovered books that came in series: Little House on the Prairie, Anne of Green Gables, and the Betsy-Tacy books. Betsy Ray, growing up in a small town in Minnesota around the turn of the century, wanted to be a writer. So did I. I stuck with Betsy well into junior high. At one point during those years, two friends and I playacted the three best friends of the series, and I wrote to the author, Maud Hart Lovelace, to tell her of this marvelous fact: We fit her characters to a tee. She graciously replied, in her own hand, on a card that featured an illustration of Betsy, taken from one of the books. I still have that card, and as an adult, from used book dealers online, I bought the Betsy books I’d lost over the years. Pristine copies are collector’s items now, but I kind of like my worn library copies because the public library is where I first found Betsy.

Later, my friend Anne and I wheedled our way into the adult stacks, located upstairs. Attitudes about reading were different in the day. Librarians, I am sure, had a proprietary interest in the books themselves, and they seemed to disapprove of children getting “above” themselves, reading stories that were too old for them or books with words they surely wouldn’t know. I can remember having to tell a librarian once what a book was about in order to satisfy her need to be certain of my reading ability. Once we got upstairs and into the dark, towering stacks, Anne wanted to start with the A’s and read every book all the way to Z, but we got waylaid and then stuck in the H’s, captured by another series, this one by Grace Livingston Hill. But I went on to discover Carl Sandburg and McKinley Cantor and Sinclair Lewis, and I read many, many British classics that I took from those stacks.

In 8th grade, I traveled by train from my home in Illinois to my cousins’ home in Seattle. I brought a big book with me: Gone with the Wind. It was the first really thick book I’d read, and when I closed the cover on the last page, I remember feeling that I’d crossed some kind of threshold. I read two more fat books that summer: The Silver Chalice (I loved to swirl the name “Joseph of Arimathea” around in my mouth) and Not as a Stranger (considered risqué—even more evidence that I’d crossed some threshold). The poetry of Emily Dickinson—and Dorothy Parker’s acerbic verse—I remember from summer reading. Jane Eyre was a summer book sometime in high school, and so was Betty Smith’s A Tree Grows in Brooklyn (a recent choice of the book club I belong to!). The summer after my junior year, I gave my heart to Henry David Thoreau, whose Walden I still read and sometimes have been lucky enough to teach, and senior summer it was Huxley and Orwell who captured my imagination with Brave New World and 1984.

What does all this reminiscing about summer reading have to do with my American classroom? My teachers—and my parents, of course—encouraged me to read, both by example and by mandate. My first grade teacher taught me to read, and all of my teachers helped me to love books. Many of those teachers presented me with a summer reading list, knowing full well that it is in the long, languid days of summer that children and teenagers have the time and disposition to sink into books, abandon obligation, and let the characters and ideas therein become a part of themselves. When I left my classroom almost a month ago, I gave away my paperback books, the ones that had been housed in my classroom on a revolving display case, a hand-me-down from the school library. All year I’d been recommending the books on that rack; in the end, I offered them free to my students. They snapped them up. One boy needed a shopping bag.

I hope this is a summer of books for them. I hope they will love them, write their names in them, and make the contents their own. And I hope they will remember me, the giver. I did not erase or sully my name. I left it on the first page: Sarah Powley. Thys boke was myne.

And now, I am settling down with my own reading list, a mix of history and science and literature and books on instructional coaching. I’ll be back in the fall, rejuvenated, reeducated, and ready to take on my new responsibilities and resume this blog. Happy summer everyone! Happy reading!

*The Folger Shakespeare Library’s exhibit of people and their books, displayed during the winter of 2002-2003, took its name from Henry’s assertion of ownership.

Pomp and Circumstance

05-21-09-mccutcheon-end-of-year-and-graduation-033In an American high school like mine, which is not so different from most, students come in all shapes and sizes with backgrounds so varied you are surprised they were raised in the same country, let alone the same community. They range widely in their abilities, their interests, their experiences, and their aspirations. Some have parental support so intense we call their mothers and fathers “helicopter parents”; others have no support at all. Some are from robust, supportive, intact families; others have survived dysfunction that boggles the mind—alcoholism, drug abuse, child abuse, divorce, and abandonment. Some are rich; others, dirt poor. They may speak perfect English, bad English, or no English at all. They may have traveled the world or seen only the corners of Tippecanoe County. They are the sons and daughters of bankers, business owners, teachers, farmers, industrial workers, lawyers, tradesmen and women, city engineers and school janitors. They live in trailers, apartments, bungalows, farm houses, and mansions on the prairie. Some even live in cars.

Black and white, Hispanic and Asian, a few Native Americans. They are from here—from three different middle schools—and from everywhere, individuals (over the years) from as far away as Libya, Afghanistan, France, Russia, Bulgaria, China, Ukraine, Iraq, Peru, Brazil, Belgium, and many more countries around the globe. They are Christian, Muslim, and Jew; straight and gay; rich and poor, tall and short; fat and thin; handsome and plain.

For some, it has been a straight line from those first “lost in the halls” days as freshmen to academic distinction and class leadership.

For others, it has been a struggle to reach the stage.

Some have moved nearly anonymously from first year to last; others are personalities, standouts whom everyone knows.

But we weave them together as a class so that by the end of their time with us, when they graduate, they are whole cloth, dressed alike in their red and gold graduation robes, momentarily still on the stage in front of us. We are their admiring parents, extended family, friends of all ages, and their teachers, whose investment in their success is deeper than they’ll ever know.

Most will continue their education—here at Purdue or other at other Indiana colleges, some in vocational schools, a few at colleges out-of-state. Some will enter the military; some, the workforce. But for just this minute, there they all are, a tableau on the stage, a pleasing assembly whose accomplishments make us proud.

The Pledge of Allegiance. The introductions of the School Board of Trustees and the school administrators. A speech from the Teacher of the Year. This year it is an English Department colleague who speaks. His topic, an important one in this time of economic uncertainty and overemphasis on testing, is this: “What is an education for?” Not, he argues, to get jobs, but rather, to know what it is to be human.

The Faculty Scholarship, always a surprise announcement at graduation, is awarded each year to a student or students whose work ethic, demeanor, and personal integrity represent the values we as a faculty share. My colleague announces the recipients, and the two, blushing and excited, but even so, poised, come down from their seats in the bleachers to receive giant foam board replicas of checks—and the real ones, too—in front of everyone here in Elliott Hall, Purdue’s immense (and packed) auditorium.

Five valedictory addresses this year: One makes me and the teachers around me tear up. Juan was born in Mexico. From the very beginning of his education in America, he has been one of those “straight line” kids. In his speech, he thanks his parents, in English and in Spanish, for bringing him to this country and giving him the opportunity they hadn’t had. He has worked hard, he says, to make his parents proud.

Who wouldn’t cry?

Then, the Awarding of the Diplomas. One by one, the students’ names are called and each makes the walk, stopping halfway to shake the principal’s hand and receive his or her diploma—a blank, actually. After the ceremony, teachers will perform one last service: We’ll congregate with the students in a room under the auditorium and give them the actual document. Withholding the diplomas this way prevents hijinks on stage and guarantees that all outstanding fees are paid before the diploma itself is handed over. What we see is stagecraft, and for the most part, the students play their part as instructed. But, like a slip peeking out below the hem of a dress, a student’s individuality is glimpsed in the pace of his walk, the manner of extending her hand, a furtive or full-on smile at the audience, the reaction when air horns and whistles and shouts of “Woot! Woot!” erupt in the audience. A couple of cut-ups dance their way across the stage. Roaring applause affirms the accomplishments of the young man in the wheelchair and the special students who are accompanied in their walk.

When the last Z has crossed the stage, we look at the whole again, not just at the individual making the journey, and see that the group has reassembled without our realizing it. They are a tableau again—but just for a few more minutes while the principal speaks to the audience directly, acknowledging the personality of this class as a whole—go-getters, step-up-to-the-plate kids. Then, the magic words, directed to the students themselves: “You may move your tassels to the left.”

The tableau breaks. The spell is broken. A hat sails through the air, though tossing hats has been forbidden.

Graduation this year is a spectacular finish—for the graduates, of course, who leave the stage smiling broadly and then gather outside with their families and friends for photographs, handshakes, hugs, and happy tears—but for me, too. For all of us who have invested ourselves, day after day, week after week, month after month, in these kids. They are our legacy and they make all of us proud.

Farewell for the Teacher

Removing posters from the walls, stashing books behind cupboard doors, sweeping clear the desk: This is a ritual for the teacher at the end of the school year. But it is not the only one. June brings graduation, and for many students at my high school in rural Indiana, that means a party. These “open houses” are almost all the same: a card basket, a buffet, a sheet cake, and prettily decorated tables set up in the garage or on the back deck. Prominent in all this is another table, sometimes called (even by the kids), “the shrine.” This one is laden with the evidence of a life in school: trophies, awards, scrapbooks, old term papers, and glossy photographs of the graduate in every grade. In some cases, DVDs of graduation, held just that day or the day before, play in the background.

The setting is ordinary only to someone who has attended too many of these parties to count—like me, their teacher. But the fact is, I look forward to these celebrations. Graduation is a marker event for me, too, and the parties are an opportunity to honor my students, for whom graduation is, after all, the biggest achievement of their short lives. I love my students, and at graduation, I have my own emotions to deal with: joy, relief, sometimes regret, and always, when the graduates walk across the stage and out of my daily life, a profound sense of loss.

So every year at this time, I drive the back roads, routes that I ordinarily don’t traverse, to attend one open house after another. Farmers come up behind me in their pick-ups, exasperated, I am sure, because my driving is erratic. I slow down and speed up unpredictably as I scan the mailboxes for names and numbers like 7342 S 750 W, addresses that reflect the rural grid instead of platted city streets. Usually someone has tied balloons to the mailbox or planted a sign: “Jessica’s Open House!” or “Katie’s Party!” or “Brad’s Graduation Bash!”

I attend these parties every year even though no one quite knows what to do with me once I’m in the door. I’m not family, yet my influence has been more profound in some cases than even a close relative’s. I’m not a buddy, but sometimes my opinion has been more crucial than a friend’s. They are not my children, but their importance in my life is incalculable.

The graduates greet me at the end of the driveway or on the porch with open arms and lively voices: “Oh! You came! Thank you!” We hug exuberantly. I remember something funny from class and talk to them about their plans for next year. I usually don’t eat, not because the food isn’t tempting, but because quite often, the students forget to offer me anything. Though they are happy to see me, my presence throws them off stride. I am out of my usual context.

Sometimes they will say, “Oh, you have to go to so many parties you must already have eaten!” and in this way keep me from the potato salad, the pulled pork, the coleslaw, and the cake. I make it a point then to view their collection of memorabilia and to compliment their parents on their son’s or daughter’s accomplishments. Sometimes I chat with other guests, but most often, I leave after only a few minutes. I am at loose ends here. Used to directing the scene, suddenly I am part of the background.

When I leave, there being nothing else to say, nothing more to do, I close the door gently behind me. In this way, I move from the present into the past for this group of graduates, and they for me.

Attending these parties is the equivalent of crossing the stage. I am free now to turn my attention to the summer and to whatever is on the horizon, to rest up for next year. But I drive away slowly. I feel like my classroom looks: stripped of posters, empty of books, barren. I’ll miss these kids.

Danger Zone

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Here are the most calamitous events of my career:

• I broke my wrist one day when I fell from the ceiling (I was hanging a mobile and stepped into air).
• A student driver tried to pass me on a county road when I was making a left turn (My car was totaled, but neither of us was hurt).
• A student who rushed to the front of the class to ask to use the bathroom threw up on me before she could get the words out (The dress washed).
• Two winters ago, a student crunched my car (a different one) while it was parked in the school lot (Actually, he took out two cars when his truck spun on ice).

But until the other day, I’d never been flattened.

I have a tendency to dart, and I darted out of my classroom at the same time a boy exited the room next door. His head was down; he was reading a note. We collided, and there I was, flat on my back like an overturned bug. The boy was stricken; I was certainly surprised.

“Are you okay?” he asked.

“Sure,” I said, “but you can help me up.”

I was restored to dignity and “over it” within a few minutes. It took a little longer for the boy. After all, he’d just leveled a teacher, and an—uh—older one at that.

Maybe teachers should get hazard pay.

Here are some other dangers I’ve exposed myself to in my long life in an American classroom.

Twain and Faulkner and E. B. White and Harper Lee and Charles Dickens and Homer and George Orwell and many, many more literary luminaries: I have the time to reread their work every single year—to admire anew a turn of phrase, to marvel once more at an apt comparison, to suck in my breath at the sheer beauty of their prose. It was nothing short of privilege to open To Kill a Mockingbird this year (for the thirty-first time) and read aloud to my class, “When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.” In November, I went to London with Pip, and in February, I followed Odysseus around the world. Come spring, it was time to visit Manor Farm again and watch the pigs turn into Mr. Jones. I wonder, now that I will be out of the classroom, if I ever again will read, “Sing in me, O muse…” I hope I will make time to do this, for these stories and the people in them are a huge part of me. I know whole chapters nearly by heart. I’ve kept company with my favorite writers all day long for many years, and now I’m spoiled for bestseller fiction. I can’t stand TV. That makes me a poor conversationalist and puts me out of touch with popular culture.

Here’s another danger I have faced: No one tells me how to structure those fifty minutes between the bells. No one tells me how to teach or how to manage my classroom. I decide from a range of choices what we will read and when we will read it. I decide how I will make the stories come alive or what I will to do to help the students improve their writing. I set the goals and I craft the lessons. I make the connections from book to book, and I design the projects, the writing assignments, the presentations. I make up the tests. My creativity as a teacher is limited only by my imagination and my stamina. Even when resources are in short supply, I usually can find ways to finance what I want to do. Granted, there are standards and a local curriculum that I am obliged to follow, but how can I quibble with those? The standards provide guidance, and I helped to write the curriculum. Such independence is exhilarating—but it also poses a risk. Since I decide just about everything that happens in my room, what happens if I fail? What if I become a bug on her back, flailing, limbs in the air?

I’m in constant danger, too, of my heart being broken. It’s love, of course, that does that, and love is the only way to describe my feelings for the students I am with each year, sometimes for longer than a year. These are kids I have seen when they are happy, seen when they are down, seen when they are taxed to their limit, and seen at play. We have developed a relationship, each one of them and I, based on shared experience and my knowledge of what they often reveal when we read those books together. I am privy to their ideas when they raise their hands to speak. I read their thoughts in the essays they write for me. It’s a lopsided relationship, of course. More like parent-child than friend-to-friend. I nag them, cajole them, and tell them what to do. Sometimes they make poor decisions, let me down, act badly. Sometimes I’d like to throttle them. Sometimes terrible things happen in their lives, and then my heart aches for them. My attachment to the kids I teach sounds odd to people who haven’t taught. But years later, when I see my students all grown up, when I encounter them in a store or at a theater or meet them on the street, I discover that they feel attached to me, too. Sometimes, even years later, they come back to say thank you: for pushing them, for demanding they do their best, for putting up with their resistance, for caring about them, for teaching them something.

Dangerous stuff, this other: Privilege. Independence. Joy. They are intoxicating. But they come with risk attached: Isolation. Failure. Hurt.

In the end, since I gave my heart to teaching, I have spent a good deal of my life in a box—inside the four walls of a classroom. But I have traveled far in a world I created myself, a world peopled by the most amazing characters—fictional and real—whose lives have enriched, beyond measure, my own.

There ought to be a police barrier—a yellow ribbon—around the perimeter of every school: Danger Zone.

I’ve never been sorry I crossed that line. Even when I’ve been flattened.

Pinterest, Sort of

Years ago, students began giving me pictures of themselves. They would slip them into their graduation announcements, leave them on my desk, or simply hand them to me. I tacked the first few on the bulletin board. The result? More pictures came my way. The board began to fill. Eventually, all the bulletin boards in my classroom were covered with pictures of kids—except for one section behind some bookcases.

• Eric, who read Shane in the 11th grade–the first book he’d ever read cover to cover.

• And Twila, the first person in her family to attend college…oh, how she loved to read.

• Kelly, who rarely spoke in class, but had enormous writing talent. One day when she was absent, I read her story aloud.
“Who wrote that?” asked Brandon. He always spoke his mind.
“Kelly.”
“She ought to speak up more,” he said.
I agreed. “Someday she will,” I said. She wanted to be a minister.

• Masooda, a refugee from Afghanistan: She spoke no English at all when she first came to my class. We started with pictures she would cut from magazines. By the end of the year, she knew enough English to give a speech to her incredulous classmates about Afghanistan and her escape to America.

I used to joke with my students that when the bulletin boards were full, I’d retire. Since I was much too young for that, I simply moved the bookcase. Then I myself moved—to a new classroom where even more capacious bulletin boards filled one entire wall. I kept adding pictures.

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• The Russia Travelers: 27 American kids and 27 Russian ones—all of them participants in the academic exchanges that opened our eyes and forever changed all of our lives.

• Allie, who was my student aide for three years and knew me so well she practically ran my classroom the year I had to take a short leave.

• Another Brandon, this one the boy who took up my challenge and spent one whole night bringing his Turn It In score down from 26% to zero. “Mrs. Powley! How’s it going?” he’d shout out exuberantly every day when he came into class.

• Maggie, sliding into home base in a picture clipped from the newspaper. She loved to hear me read out loud.

A year and a half ago, I switched classrooms for the last time. There is very little bulletin board space in my new room—just yards and yards of whiteboard. So the pictures—which it took two teachers and four kids several hours to untack and place in a gigantic box—are already packed to go home with me when I leave the classroom at the end of this year to become a full-time Instructional Coach.

I’ve nurtured these students. I’ve challenged them; I’ve believed in them and helped them grow. I’ll never forget them, but I’m glad to have the pictures.

Funny how something so little, given and taken so casually—a senior picture, a snapshot from a field trip, a photo that was in the newspaper—can be so weighted with meaning.

I haven’t had trouble culling my files. I’ve been happy to pass my books along to my colleagues. Maps, posters, decorations: I’m glad they have new homes. But the photographs? They’re coming with me.

B-I-G

She came to me in her junior year—rough and brash and scared. She wasn’t a reader; she wasn’t a writer. She wasn’t a student at all. But somewhere she’d gotten the idea that the only way out of the harsh life she had known was through education. Her family certainly didn’t think school mattered.

Once she had asked her mother how to spell “enormous.”

Her mother answered, “B-I-G. That’s good enough.”

9th and 10th grade General English had been unchallenging, and she didn’t think she was going to get the education she craved in the 11th grade class to which she had been assigned. It promised to be another slow-paced section where no one did the homework and the books were never opened. So she signed herself up for a tougher class in hopes that someone would teach her something. Her mother told her she’d fail, her guidance counselor thought the same, and she herself had no idea how demanding the next level up would be.

She did fail the first test. Tears welled up in her eyes. The reading had been difficult and the essays, impossible.

That test was a crucible. She nearly gave up. But I talked her into sticking it out, and I worked with her. I taught her how to use the footnotes and the sidebars in the text to improve her understanding. I showed her how to figure out the meanings of words from their context and worked with her on writing coherent sentences. She labored over the assignments, and, because of all the effort she was putting forth, I had to resist the temptation to give her higher marks than her performance merited. Her grades remained borderline for some time, but slowly, step-by-step, she gained ground. She learned to read Hawthorne, Emerson, and Thoreau. Her scores improved. Gradually, she learned to write an essay.

At the end of the year, she asked if she could keep the textbook.

For her senior year, she chose another difficult English class and continued her steady growth with another teacher who responded to her drive to learn. She went to college on a combination of loans, work-study, and grants, and she became a teacher herself, giving to her students what she says we gave to her: challenge—and the coaching she needed to meet that challenge.

The credit for her accomplishments goes to her, not to me or my colleague. But I know that setting those high expectations—and then helping her to meet them—through after-school tutoring and after-class explanations, through attentive responses to her questions, through suggestions for further reading so she could catch up with her peers—were essential to her success. She had the motivation. She needed teachers who would not limit her rise, but would support her reach for what was possible.

When a track coach trains a high jumper, he lifts the bar in increments, raising it just enough each time to make the jump a challenge—but not so much that he defeats the jumper at the get-go. So it should be in the classroom. Styling ourselves as “impossibly hard” in an effort to challenge our students to grow—or the reverse, settling for “good enough”—are neither one going to help our students reach their potential. Instead, we need to operate like a track coach: Make our students comfortable so they are willing to take a run at the goal, teach the fundamentals, and then gradually increase the level of difficulty. And of course, celebrate when they clear the bar!

Pencilhead

Some years ago, the guidance counselor appeared at my classroom door with a senior boy in tow. We were already three weeks into the first quarter, and my Basic English class of eighteen kids was a cohesive and productive unit. I would have preferred it to remain that way.

She pulled me to the side. “There is no place for him,” she said. “His schedule’s been changed and he needs English. Will you take him?”

Everything I had heard about him was true. He wouldn’t do his homework. He tried to sidetrack discussions with impertinent remarks. His body language said, “You can’t make me!” and on Friday afternoons he jingled the coins in his pockets and spread the money he had collected for “partying” out on his desk for the class—and me—to see.

I started with the money.

“Put that away,” I said.

To his own surprise, I think, he cleared his desk. Slowly—it took all semester—he began to settle down, to speak pleasantly, to read his assignments. He started to take tests seriously, too, although he’d protest the unfairness of each one, just in case he failed.

His contribution to discussion was less and less often an outburst, but even in December, he still didn’t raise his hand.

At the semester, he needed a new class. The one I would teach next was a step up in difficulty, and there would be thirty students. He asked what it would be like.

“There will be more reading,” I said, “and you’ll have to raise your hand. You won’t be the center of attention.”

He considered this. “Okay,” he said, “but you’ll never make me a ‘pencilhead’.”

“Pencilhead,” of course, was a derogatory term for a smart kid.

And that’s when he gave himself away. That’s when he told me he wanted to learn.

“Pencilhead” didn’t become a scholar overnight, but he did earn a B in the class. His mother said in June that he’d read more books that year than in all of his years of school combined. I will never forget the day he pulled his chair into another group’s reading circle so he could hear a second discussion of the book his group had just talked about.

After he graduated, he joined the military. He served overseas, and once he wrote me that he was taking an English course—“Introduction to Writing.”

Eventually, he returned to the community, gained employment, and went on for post-secondary training. For a few years, he occasionally came to school to see me. Once he brought McDonald’s for lunch. He always gave me a hug. He had become a success, and he told me I’d taught him that he could accomplish anything he set his mind to.

In truth, his success had more to do with him than me. He’d decided to grow up that year in my classroom.

But we teachers remember students like “Pencilhead” long after they have left school, and their stories become our personal folklore. We recall such stories to nourish and reward ourselves for the work we have done, the risks we have taken, the tears we have shed.

Most of us go into education hoping to make a difference in someone’s life.

“Pencilhead” stories tell us we have.

Note: “Pencilhead” was first published by Red Sky Books in 2001 in Pass-Fail, a collection of stories about teaching edited by Kurt Kleidon and Rose A.O. Kleidon.

Go to the Parent Conference

This one is for parents: Why you should do this, even if all is well.
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Face it: When Parent Conference Night rolls around, we’re all tired. I’m tired from a long day in the classroom; you’re tired from your day of work, too. Frantically eating dinner, remaining dressed up, and driving to the school (perhaps for the second or third time that day) may seem like a lot of effort for a minimal return.

But parents should always attend conferences—even if the teacher says they don’t need to. Here’s why:

For the teacher, you are more than a visible presence that night, more than a momentary reminder that your child’s progress in school matters to you. When you show up at conference time, I have you in the back of my mind all the rest of the year. By meeting you, I get a rounded picture of your child and develop a clear sense of obligation to you as a family. It isn’t that I don’t pay attention to the kids whose parents don’t come to conference. I do. In fact, the most frequent lament about conferences that I voice—and the one I hear the most often from other teachers—is that the parents who most need to come, don’t.

It isn’t that I cater to your child, either—because I don’t.

Here’s the secret not a lot of parents realize: Attendance at a parent conference—or an open house—is not a perfunctory exercise. Parents and teachers form relationships because of these interactions, and the parents who do attend conferences become a sort of litmus test for the ideas we invent, for the questions we have, for the quandaries we’re in. What would Sally’s parents or Joe’s parents think of this idea? This method? This idea for a field trip? This expectation? Could they be a resource? Would they chaperone? Is what I am expecting, reasonable?

Knowing you broadens my perspective. Your responses factor into my decision-making.

And just as I develop a rounded picture of your child when I meet you, you have a better picture of me when you come to the conference: not just what I look like (though that helps when you’re reading an email from me or speaking to me on the phone), but my demeanor, the intensity in my voice, my facial expression when I talk about your child. All of those little clues inform your response to me—and that could be important at some point during our year together.

Bottom line: when you come to the conference, you open up that line of communication between us. There’s a problem I should know about? Something’s come up? It’s easier to call me or email when you know who I am—and it’s easier for me to approach you if we’ve already met.

When you come to the conference, you learn the details behind the grade on the report card. Not just the standardized test scores, though you’ll learn those, too, and you’ll have an opportunity to have them explained. But you’ll also find out what you may not know: that your child is a good listener or a respectful group leader or needs help with understanding figurative language or doesn’t take notes or doesn’t take advantage of extra help or checks out more books from the library than anyone else in the class or went out of his way to help someone else. When you come to the conference, you’ll find out I know a lot about your child and I care about him, too.

Go to the parent conference so your child has concrete evidence that you care, so he or she knows that you will always go to the parent conference, good or bad. If you only go when there is a problem, that will communicate the wrong message. After the conference, let your child know how proud of him you are and how much you appreciate his teacher and the chance to meet with her. Make him think parent conferences are cool because parents and teachers get to talk together about the one person who is at the center of the universe: him. Make your child proud that you attend the conferences. As he grows older, there will be plenty of kids whose parents don’t, and you will want your child to think your attendance is cool, not dumb.

By going to the parent conference, you’re reaching out across the generations. Children watch everything their parents do. Because you went to school to meet their teachers, they will show up at their children’s conferences. It’s all about modeling.

It’s also a chance—and here’s a shameless plug for all the hard-working teachers I know—for a parent to thank the teacher for all he or she does–teachers need pats on the back, too, so a thank you is a boost, and a positive conference is just as important as a problem one, even if it does take up a few minutes when we’re all tired and ready to go home.

And let me add this before I move away from the subject: For the most part, I really enjoy parent conferences. When I open my classroom door and parents drop in, I feel like I am inviting them into my home. In some ways, I am. I spend more awake hours per week at school than at my home, and I do “clean house” for my visitors: I wipe down the tables, clean the boards, tidy up for the occasion. I stop short of cookies and tea (although that might not have been a bad idea for sweetening a couple of the conferences I’ve had in my career).

Many of the parents I see are like family. I’ve taught all of their children—or more than one of their children—and I’ve even taught some of them. Sometimes they’ll stick their heads in the door and wave at me even though I no longer have their children in my classes. If I’m not in conference with someone, they’ll come in to chat, bring me up to date on the kids who are now in college, or grad school, or having babies, or farming, or working in Indianapolis, or traveling somewhere in the world. That means a lot. I’ve invested time, energy, and yes, love in their children, and I really do want to know what is happening in their lives and how they’ve fared in the wider world.

So go to the conference–all the way through high school. Even if all you do is stick your head in the door and wave.

Hunger

Do not eliminate hunger in this world. Do not. Hunger motivates.

I am not talking, of course, about literal food. I am talking about that burning in the brain that propels a person forward in the relentless pursuit of whatever he or she wants to achieve. That kind of hunger—or drive, if you will—is indispensible in the quest for knowledge.

For several years some years ago, I took students from my high school, McCutcheon, to Russia. We spent time in a Russian secondary school, even though it was June, because national exams were given across the country at the end of that summer month. We entered the school by mounting crumbling cement steps. Inside, cracked and curling linoleum covered the floor of the lobby; classrooms were equipped with cheap laminate desks, pitted window-sized blackboards, and old rags that served as erasers. The Pskov Humanitarian Lyceum, a top academic school in the region, was characteristic of Soviet-style school construction, and the accoutrements in the classrooms were common across the country. The Russian teenagers who hosted my students on those academic exchanges ten years ago were my students’ age but a year ahead of them in school. They spoke English, which they had been studying since they were seven, fluently; we struggled with the Cyrillic alphabet and elementary phrases like “Good morning” and “Good-bye.” They knew more about American history than we did, and the American students knew no Russian history at all. The Russian students were well acquainted with many American artists, musicians, and writers, but we had never even heard of Pushkin, their beloved, legendary poet.

What did these Russian students want? A better lifestyle than what they were living in Russia then. They had heard about the American standard of living, read about the material possessions that made us seem rich and that made our lives comfortable, and had seen it all for themselves when they finally came to America—and they hungered for it. They knew that education was what they needed to win a place at Russian universities, to complete a course of study and graduate, and to find the kind of work that would being them closer to our kind of comfort and prosperity.

I brought their teachers erasers for the blackboards, and for the students I brought pencils and pens with McCutcheon logos. I could not bring them new and shining schools. I did not need to.

Situated in Isiolo, Kenya, the last outpost before the long stretch of Sahara desert to the north, the Isiolo School for the Deaf is an aggregation of board shacks without windows, set in the middle of an open field: not on a foundation, not on a platform, but on bare ground that becomes mud in the rainy season. Cracks between the boards admit some light to the inside. When I was there, I saw children sitting tall in straight back chairs at wooden desks scarred from years of hard use, children from eight to fourteen, raising their hands excitedly, rapidly finger spelling answers in the air, signing the words they knew. At lunchtime, the students sat on the grass in a set-aside area under a roof to protect themselves, in rain or shine, from sudden downpours and the searing African sun. Their lunch, cooked in a vat, was rice and sometimes beans. There was no electricity at night, only a lucky few had mosquito nets, and the only clothes the children owned, they were wearing. No books, no paper, no pens, but exuberance and pride marked the children’s demeanor.

What were they without? Language. These children were born deaf or had lost their hearing at an early age. They were the lucky ones, deaf children whose parents had brought them from homes all over Kenya to attend this boarding school, to learn some language, to learn some method of communication. Language would bring them some measure of civility in the life of isolation that stretched ahead of them like the long, dry desert to the north.

I brought them alphabet banners for the classroom and a “Spill and Spell” game with hands etched into the sides of the dice to illustrate a, b, c in the manual alphabet. You would think I had brought the moon. Later, students at McCutcheon raised the money to electrify the school. Now the students could sign to each other in the night; they could continue to learn even after the sun went down.

In rural Rwanda, the scene of genocide not so many years ago, families in poor communities struggle to educate their children. For most children, secondary education is out of the question because the school fees are too steep. Secondary school students need to pay tuition to attend boarding schools. They must buy uniforms, purchase books, and sometimes carry mattresses with them to schools in remote locations. But in a few primary schools, an American organization, Every Child is My Child, has promised the elementary students a high school education if they study hard and pass the entrance exams—and they are driven to learn. Their classrooms are brick, not board, but there are no posters on the walls, no books, and few visual aids —just a teacher, a blackboard, copy books and pencils. The students write everything they hear from their teachers and everything they see on the board in their copy books—and they study what they have written. Against all odds, they are on grade level with students in the United States. And they are hungry to learn more. Hands wave in the air, answers fly in French and English and Kinyarwandan , and shy smiles cross the children’s faces when their responses are correct.

What do these students want? An education. I brought paper rulers and protractors—disposable learning aids gathered up after standardized tests—and National Geographic maps of Africa. I could not begin to equip their classrooms, and I could not feed their hunger. Only they could do that.

The hunger of all these children, the burning desire to learn that all of them have felt, has been essential to their achievement. Their desire comes from within—not from buildings equipped with the latest technology, not from the resources of their governments, not even from great teachers, but from within themselves.

We eat because we are hungry; we achieve success for the same reason. We have to do more than just want whatever we dream for ourselves. We have to burn to have it and then put our heads down and drill through the dark to attain it. “Wanting something is not enough. You must hunger for it. Your motivation must be absolutely compelling in order to overcome the obstacles that will invariably come your way,” said Les Brown, an American businessman and motivational speaker. He may have been talking about material success—I have no idea—but his point applies. Drive—the motivating force that makes a person, or a team, or even a country “go the distance”—is a hunger that is fed from within.

Spring is the Best Season

Once, at a conference for American teachers and teachers from the Newly Independent States of the former Soviet Union, I met a teacher from Kazakhstan whose students had won a national recognition for their performance in competitive debate. This, in a formerly Soviet state—a country that had once upon a time brooked no controversy, tolerated no dissent. She gave a presentation about her strategies to mystified Kazakh colleagues whose shy, meek students would not disagree with them on the smallest of matters. How, they wondered, could Kazakh students, raised to be voiceless and compliant, come to debate their peers so skillfully as to win a national debate contest?

“That’s just it,” the teacher explained. “We began with the smallest of matters.”

The first topic of debate the teacher had put before her students was this: Spring is the best season.

“Spring is the best season,” the teacher declared. “Raise your hands if you agree with me.” Every hand went up.

“Raise your hands if you disagree.” No one raised a hand.

“No one disagrees?” she asked. “There is nothing about spring that you don’t like?” She waited. Finally, one tentative hand lifted.

“Well,” a little girl offered hesitantly, “in the spring, there is mud.”

And that is how this wise teacher began: small.

Students “debated” whether a particular food tasted good, whether a book was worth reading, whether a clothing style was attractive. In increments, she led the students to genuinely controversial topics and deeper, more incisive arguments until finally, they were debating serious topics in formal forensic style. She had had to warm the students to controversy, show them that nothing was to be feared from disagreement, and then teach them the skills of debate: researching and analyzing an argument, evaluating evidence, developing a claim, formulating effective support, using concession to advantage.

American teachers today are tasked with preparing students for a new kind of standardized test. Students will be asked to read and respond in writing to a variety of documents they will be given on unannounced topics in science, social studies, the arts—really, any area. On the new tests of students’ proficiency in the English Language Arts—coming in 2014-2015—students will need to read documents on the spot, formulate a claim, gather evidence from the readings to support their position, and use all their skills of analysis and evaluation to write a cogent, coherent essay defending their position. (At least this is what we are hearing now will be the format of the new assessments.)

What this means for instruction in the language arts classroom is a much more intense focus on reading and writing, with particular emphasis on argument.

Let’s leave politics aside. Ditto opinions about whether this is a valid way to assess a student’s progress or whether scores on these tests should be used to determine a teacher’s effectiveness. For now, too, set aside questions about the logistics of evaluating these writing-intensive tests and reporting the results in a timely fashion.

The immediate question is this: Are these skills students should have?

We live in a contentious society. Prominent people use public platforms to spout unsubstantiated opinions. Politicians twist the meaning of other people’s remarks, make snide insinuations, and sometimes tell blatant lies. Even ordinary people become irate without cause and seek redress for their grievances before they even try compromise or consider reconciliation. Would it be good to train our students to question claims, spot flaws in logic, evaluate evidence, counter arguments and expose specious claims? It would. If future citizens cannot read with understanding, write clearly and coherently to varied audiences, talk back to statistics, question authority, speak truth to power, and argue responsibly, where will our democracy be? To my mind, the new agenda is not an issue. It may even have evolved as a solution to the temper of our times.

But are we teaching these skills now in our classrooms? Can we do it?

Getting there will be easier than it was for the Kazakh teachers because our students don’t have to be led to argument. They love to debate and don’t back away from controversy. They’ve been raised in the land of free speech and exercise that freedom without trepidation. What my students need help with is what this new curriculum mandates: reading, writing, and thinking clearly. The new Common Core standards, subscribed to by forty-six states, present an interdisciplinary, grade-by-grade outline of the skills our students need to be “college and career ready” (new education-speak for “prepared for the future”) and the ones our country needs them to have to remain in its right mind.

We can do this—and we will. One step at a time. One grade at a time. One skill at a time. Start small, start young. Spring is the best season.